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Jessica Hische

From Berlin With Love
Posted by Gestalten—02/2013

In a recent two-day Gestalten workshop, participants worked closely with Jessica Hische (a letterer, illustrator, and crazy cat lady known for her silly side projects and occasional foul mouth, as she jokingly describes herself) to develop a full vector alphabet and learn about drawing type in a short amount of time. Hische has been named a Forbes Magazine “30 under 30” in art and design as well as an ADC Young Gun and one of Print Magazine’s “New Visual Artists”. Gestalten.tv took the chance of a very brief break during the workshop to let Jessica talk us through some of the pros and cons of the letters B/E/R/L/I/N. Her work is profiled in: Hand to TypePlayful Type 2, and Precursor: The Creativity Watchlist.

Hand to Type

Posted by Gestalten—01/2016

The beauty and art of creating handwritten letter forms.

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Playful Type 2

Ephemeral Lettering and Illustrative Fonts
Posted by Gestalten—12/2012

A visual feast of experimental typography and illustrative lettering.

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Precursor

Posted by Gestalten—01/2015

A new breed of creatives is enriching the classic categories of design.

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House Industries

Interview with Ken Barber
Posted by Gestalten—12/2011

House Industries has been producing their premier league retro design and their true love… Fonts! Fonts! Fonts! since 1993.

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Reza Abedini

Identity and Definition
Posted by Gestalten—05/2012

For Tehran-born and Amsterdam-based designer, Reza Abedini, graphic design is not merely a visual art form but "a value".

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10 Questions with Dennis Busch

The Co-Editor of The Age of Collage Vol. 2 Explains How Collaging Is Like Plastic Surgery
Posted by Gestalten—02/2016

Introducing Matthieu Bourel

Meet the Berlin-Based Artist Behind the Cover of Our Collage Compendium
Posted by Gestalten—02/2016

Raw Home by Taller Estilo

The Family Home Takes Full Advantage of the Narrow Plot
Posted by Gestalten—02/2016

De-Selfing by Hsin Wang

The Brooklyn-Based Photographer Shares What Heartbreak Looks Like
Posted by Gestalten—02/2016

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