Robert Klanten interviewed by PAGE.
American artist Mark Jenkins's urban (and rural) interventions are street-smart—in the truest sense of the word.
Jenkins creates and sets free a colorful cast of characters by way of clear tape casts: the homeless, kids, vagrants, polar bears, and horses (to name but a few) all take their place in the wild, wild urban space, while interacting with the surrounding buildings and public places that provide the context and set the stage. Positioning them around the world, Jenkins’ sculptures have made their way around the world in cities throughout North and South America, Europe, Asia and the Middle East.
Disturbing, humorous, and enigmatic in equal measures, Mark Jenkins enlists his hyper-realistic sculptures into the service of, for example, Greenpeace, as well as for exhibitions, performances, art galleries, and workshops. We met the Washington, DC-based Jenkins in Berlin, where he was contributing to a dance theatre piece.
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Hide and Seek in the April issue of the UK edition of Wired.
Der Honigdieb reviewed in the February 27 issue of the Nürnberger Zeitung. “So schön verpackt kommt die Sorge um unsere Umwelt selten daher.”
Edwina ermittelt in Berlin recommended in 1000 und 1 Buch's February issue. “Eine spannend zu lesende Geschichte, die mit vielen interessanten Details zur deutschen und Berliner Historie aufwartet und Lust auf einen Berlin-Besuch macht. Liebevoll ausgestattet. Kurz: rundum empfehlenswert.”
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