Adviseer onze website aan uw vrienden in Nederland en krijg een extra korting op uw Generiek Cialis. Cialis is een geneesmiddel voor de behandeling van erectiestoornissen bij mannen. Het is het enige geneesmiddel dat niet alleen snel werkt (werkt in 30 minuten), maar staat ook bekend om effectief te zijn voor een periode van 36 uur, zo kunt u het moment kiezen dat precies goed is voor u en uw partner. Miljoenen mannen hebben plezier gehad van cialis aangezien het effectief werkt in lichte, middelmatige of zelfs ernstige erectiestoornissen. Cialis is, zoals cialis en cialis, een zogenaamde fosfodiesteraseremmer type 5 (PDE5). Tijdens normale seksuele stimulatie wordt in de penis de stof cyclisch guanosinemonofosfaat (cGMP) geproduceerd. Dat leidt tot een ontspanning van de spier in het sponsachtige weefsel van de penis, waardoor er een toevoer van bloed en een viagra viagra bestellen erectie mogelijk wordt. Het enzym fosfodiesterase breekt evenwel de stof cGMP af. Cialis remt de werking van dat enzym en herstelt zo de erectiele functie. Seksuele stimulatie blijft wel nodig om een erectie teweeg te brengen.

Germany at the Venice Biennale

The Making Of
Posted by Gestalten—07/2013

A Deutsche Welle documentation film accompanied and unveiled the process of making the German Pavilion—from the underlying decision to swap pavilions with France, to the artists’ remarks on their contributions, and the on-site mounting in Venice.

Afore, the official BiennaleChannel has featured an insightful portrait of the German Pavilion, with curator Susanne Gaensheimer going into details about the exhibited artworks and discussing how the artist selections came about. Further, Santu Mofokeng and Romuald Karmakar have been filmed in the exhibition giving statements on their artworks.

The 30-minute film by Deutsche Welle even goes back to 2012, interviewing Ai Wei Wei in Beijing and tracing back the roots of Gaensheimer's international curational approach. With interviews of all four artists, the video gives an in-depth look behind the scene.

Seeing the artworks in progress reveals a lot about the artists' concerns. With showing Santu Mofokeng during a car ride through Soweto and preparing his photo prints in Berlin months before the Biennale's opening, the video aims at getting most close to the photographer's perspective. While installing his work in Venice, Romuald Karmakar explains how the visual axes between his screenings communicate, and Gaensheimer examines that in his work one finds proof for the fact that ideology is no longer bound to geography. At the same time, Dayanita Singh brings the entire thematic focus to a very significant point as she discloses why she wouldn't want to see herself in the Indian pavilion, explaining her dislike for categorizing nationality.

According to Gaensheimer, what all four artists reflect—although their backgrounds couldn't be more diverse—is how the internationality we find in our lives today affects the daily reality of a single person.

The debate continues in the German Pavilion's official catalog and its 11 bylined articles. Among the authors are academics from the fields of art and cultural science, curators, journalists, philosophers, writers, artists, critics, political scientists, patrons, and migration researchers who are debating art and (inter)nationality including Geoff Dyer, Jacques Mandelbaum, Santu Mofokeng, Uli Sigg, Mark Terkessidis, Ranjit Hoskote, Aveek Sen, François Jullien, Simon Njami, Jeff Kelley, and Gilles Kepel. These critical texts are put into visual form by Chris Rehberger, whose work also makes a clear contribution to their debate.

La Biennale di Venezia 2013, Deutscher Pavillon

Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Posted by Gestalten—07/2013
Der offizielle Katalog zum Beitrag des Deutschen Pavillons auf der Kunstbiennale Venedig.
→ read more

La Biennale di Venezia 2013, German Pavilion

Ai Weiwei, Romuald Karmakar, Santu Mofokeng, Dayanita Singh
Posted by Gestalten—11/2013
The official catalog of Germany's pavilion at the Venice Biennale festival of art.
→ read more

A Travel Guide to Tokyo

Monocle will navigate you through some of their favorite corners of this vast metropolis.
Posted by Gestalten—07/2015

Top 10 Recent Blackboard Entries

Discover Talents From our Creative Pool
Posted by Gestalten—07/2015

Open Fields by Guillaume Amat

Guillaume Amat Places Mirrors Into Landscapes to Look Behind and Beyond
Posted by Gestalten—07/2015

Travel Essentials For Your Carry-On Baggage

Keep Calm and Carry On
Posted by Gestalten—07/2015

Recent Book Releases

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Let's Go Out Again and Kitchen Kulture featured the summer issue of Salon.

The Journey recommended by The Independent.

Gentlemen, Start Your Engines! featured in Octane's July issue. "Verführerisch. Denn die Auswahl gleicht nicht so sehr einem Geschichtsbuch als vielmehr einer Kunstausstellung, sie soll zum Nachdenken anregen, auch Gefühle aufwühlen."

Let's Go Out Again recommended on the German website of Harper's Bazaar. “Haben Sie auch schon mal einen Flug gebucht, nur um dieses eine Restaurant auszuchecken, von dem immer alle reden? Kennen wir. Und deshalb müssen wir Sie warnen: Wenn Sie auch nur einen Blick in unser neues Lieblingsbuch Let’s Go Out Again werfen, werden Sie zig Gründe haben, in den nächsten Flieger zu steigen.”

A Poor Collector's Guide featured on Xamou Art. "Erling Kagge spills the beans...on that weird and wonderful art of collecting art.

Erling Kagge's interview about A Poor Collector's Guide to Buying Great Art on Spiegel Online.

Der Atlas der Abenteuer recommended in Nido's July issue. "Dieser Atlas zeigt auf seinen liebevoll gezeichneten Karten nicht nur Länder, sondern aufregende Abenteuer, die man in allen Ecken der Welt erleben kann. Mit dem Satz "Nächstes Jahr fahren wir aber zu den Pinguinen in die Antarktis. Biiiiitte!", muss man allerdings rechnen".

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