Adviseer onze website aan uw vrienden in Nederland en krijg een extra korting op uw Generiek Cialis. Cialis is een geneesmiddel voor de behandeling van erectiestoornissen bij mannen. Het is het enige geneesmiddel dat niet alleen snel werkt (werkt in 30 minuten), maar staat ook bekend om effectief te zijn voor een periode van 36 uur, zo kunt u het moment kiezen dat precies goed is voor u en uw partner. Miljoenen mannen hebben plezier gehad van cialis aangezien het effectief werkt in lichte, middelmatige of zelfs ernstige erectiestoornissen. Cialis is, zoals cialis en cialis, een zogenaamde fosfodiesteraseremmer type 5 (PDE5). Tijdens normale seksuele stimulatie wordt in de penis de stof cyclisch guanosinemonofosfaat (cGMP) geproduceerd. Dat leidt tot een ontspanning van de spier in het sponsachtige weefsel van de penis, waardoor er een toevoer van bloed en een viagra viagra bestellen erectie mogelijk wordt. Het enzym fosfodiesterase breekt evenwel de stof cGMP af. Cialis remt de werking van dat enzym en herstelt zo de erectiele functie. Seksuele stimulatie blijft wel nodig om een erectie teweeg te brengen.

New Font: Rigate

A Font Choice for Visual Identity
Posted by Gestalten—04/2014

Our newly released font Rigate is a tender yet straight script typeface—available in two weights and multiple ligatures. Authored by Michael Luther, this stylish font was developed based on the designer’s handwriting and is tailored for display usage, especially in magazine and book design. Rigate’s ranges of use include logotypes, headlines, posters, and editorial design.

INTERVIEW WITH MICHAEL LUTHER

Perhaps you can give a short update about you, your work and your studio vonSüden.
I founded vonSüden with the two designers Thies Uthmöller and Lutz Rüter in 2008. Our team consists of communications designers and product designers. We are located in Kreuzberg, Berlin. Personally, I enjoy living with my family in a nice part of Neukölln and playing with my 2-year-old son. We are both big fans of all kinds of toys!

What is your main focus in your work and where are your projects located?
Our studio creates corporate image and design, editorial design, font and product design. We work on paper, on the web and in 3D. Our area of specialization lies in more than one sector. Our clients range from traffic engineering to fashion labels.

Did other typefaces or designs inspire you or influence you to design Rigate?
Not directly. It is a personal project with a long development time.

What was your intention to develop Rigate?
At school, I had a really bad handwriting (at least my teachers told me that!). Later, I drew a disproportionate version of my personal handwriting in a more beautiful way. The prototype of Rigate was done. Since then, my handwriting was influenced by the design, and the font was formed by the characteristics of the handwriting. It was some kind of a win-win situation. ;)

How did you develop the typeface, was it more like planning a design or was it a process?
Definitely a process. From that rough prototype—scribbled on some slips of paper, I developed Rigate with its characteristic slant and proportions.

You did not just simply follow the construction grid you designed. Why was that and did you have some other rules for the design decisions?
The first glyphs were in a more strictly construction grid, but there was a lack of life. I interpreted the grid and gave it more freedom. I also added more style to the script and increased the interaction of uniformity and special details.

How did you come up with the name of the typeface?
It happened by accident. I saw a menu of an Italian restaurant and imagined Penne Rigate set in my typeface. Later, when I wrote some testing letterings, I came back to Rigate. I liked the name (and the food)! It doesn’t have a contextual or functional meaning. 

Can you tell us a bit more about the usage of Rigate? Where do you see the typeface used, or what would be a dream application?
It is perfect for headline lettering. Legibility was not the main focus, so it is more for display usage than for very small text. Ranges of use are logotypes, headlines, posters and editorial designs. The font would be a very nice application for magazine titles or books.

Sfäär

Tallinn
Posted by Gestalten—06/2015

July Shop of the Month

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Drink Different!

The World of Crafted Spirits & Liqueurs
Posted by Gestalten—06/2015

Special Midsommar Week

The summer solstice heralds the beginning of summer—and we’re celebrating Scandinavian style!
Posted—06/2015

New York

The Monocle Travel Guide Series
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Recent Book Releases

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Gentlemen, Start Your Engines! featured in Octane's July issue. "Verführerisch. Denn die Auswahl gleicht nicht so sehr einem Geschichtsbuch als vielmehr einer Kunstausstellung, sie soll zum Nachdenken anregen, auch Gefühle aufwühlen."

Let's Go Out Again recommended on the German website of Harper's Bazaar. “Haben Sie auch schon mal einen Flug gebucht, nur um dieses eine Restaurant auszuchecken, von dem immer alle reden? Kennen wir. Und deshalb müssen wir Sie warnen: Wenn Sie auch nur einen Blick in unser neues Lieblingsbuch Let’s Go Out Again werfen, werden Sie zig Gründe haben, in den nächsten Flieger zu steigen.”

A Poor Collector's Guide featured on Xamou Art. "Erling Kagge spills the beans...on that weird and wonderful art of collecting art.”

 

Erling Kagge's interview about A Poor Collector's Guide to Buying Great Art on Spiegel Online.

Der Atlas der Abenteuer recommended in Nido's July issue. "Dieser Atlas zeigt auf seinen liebevoll gezeichneten Karten nicht nur Länder, sondern aufregende Abenteuer, die man in allen Ecken der Welt erleben kann. Mit dem Satz "Nächstes Jahr fahren wir aber zu den Pinguinen in die Antarktis. Biiiiitte!", muss man allerdings rechnen".

Let's Go Out Again featured on Elle Decor Italia.

The Journey in The New York Times Sunday Book Review on May 31.

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